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LEICESTER SQUARE MAP Leicester Square. By night, when the big cinemas and nightclubs are doing brisk business and the buskers are east the Hippodrome – designed by Frank Matcham in – which is now the UK's biggest casino.


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Welcome to Empire Cinemas. Lose Yourself in Film with the UK's leading independently-owned cinema chain with 14 locations ( screens) Nationwide,​.


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A stunning Vegas-style casino in London's Leicester Square. Play classic games, enjoy a cocktail in our bars & indulge at our restaurant. Open 24/7.


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LEICESTER SQUARE MAP Leicester Square. By night, when the big cinemas and nightclubs are doing brisk business and the buskers are east the Hippodrome – designed by Frank Matcham in – which is now the UK's biggest casino.


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Welcome to Empire Cinemas. Lose Yourself in Film with the UK's leading independently-owned cinema chain with 14 locations ( screens) Nationwide,​.


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Earlham Street, W.C.2, Leicester Square Casino, Old Compton Street, W Leicester Square Coliseum, St. Martin's Lane, W.C.2 Trafalgar Square Cross Road, W.C.2, Leicester Square Cinemas Name of Theatre, Address, Nearest Station.


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Welcome to Empire Cinemas. Lose Yourself in Film with the UK's leading independently-owned cinema chain with 14 locations ( screens) Nationwide,​.


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Leicester Square (Square) β–‘ H The Scene: Famous for its enormous home to major cinemas, casinos, affordable eateries, and countless nightclubs and bars.


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The Hippodrome Casino is among the best late night bars in London and Leicester Square which remains open for 24 hours along with hosting theatre shows.


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Most adult Londoners tend to avoid Leicester Square, a short hop east of Piccadilly Circus, unless they're heading for one of the cinemas. designed by Frank Matcham in – the UK's biggest casino and one of three now on the square.


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Retrieved 29 August The Theatres Trust. The former Screen 2 was converted to a 4DX auditorium, with Chapman Taylor's leisure team as the architect. By the mids, the laser show was discontinued; some years later, Martin Audio speakers were installed, and THX recertification was eventually dropped. The new foyer was designed by Innebo Architects, [41] with Chapman Taylor [42] as the architect for the project's delivery. Boettcher and Frederick G. Wallis and Sons was the main contractor for the new cinema. Its side walls and ceiling were finished with acoustic plaster tiles of mink and gold colours, featured banks of concealed colour-changing cold cathode lighting, and reclining red upholstered seating was fitted. The vestibule stairs now feature LED display modules fitted on their risers, and a large curved display formed from LED display modules is situated at the top of the vestibule. Paul demonstrated his Theatograph at his workshop in Hatton Garden. After the war, the stage accommodated programmes of cine-variety [12] β€”elaborate live shows, similar to those presented at the Radio City Music Hall. As moving pictures grew in popularity in the s, the Empire was acquired for redevelopment by Metro-Goldwyn-Mayer , with its last live theatre performance being Lady Be Good , starring Fred Astaire. Lamb with assistance from F. Clarke Bond. Following its closure in , its space combined with former void space, above the lower vestibule, was used to form Screens 7 and 8. In October , the IMAX laser light source projection system IMAX with Laser [33] was installed, allowing the full screen to be filled, alongside an upgrade to IMAX's 12 channel surround sound system, for which 6 additional smaller overhead and side surround speakers were added. Wilhelm created both scenery and costumes for and sometimes produced numerous ballets at the theatre, which established a fashion for stage design and were much imitated. Cinema Treasures. The project involved the permanent removal of almost all existing decorative finishes and fittings, the demolition of all false ceilings, and some internal walls. July Retrieved 12 May Mix Online. In the former stalls, a Mecca Ballroom was constructed, with access from Leicester Square via the right half of the former cinema vestibule and stairs down to its sub-basement level. George Coles was the architect and G. Concurrent to the lobby areas refurbishment, the screens were renumbered; Screens 5, 4, and 6 are now Screens 1, 2 and 3 respectively, and Screens 7β€”9 are now Screens 5β€”7. The red foyer ceilings now had a flocked finish, a 40 screen video wall was installed in the foyer, and new decorative treatments in lobby areas included mirrored finishes and exposed cold cathode lighting features. March Archived from the original on 14 July Retrieved 17 July Lighting and Sound International. The HVAC system was upgraded with a new rooftop chiller unit. The building was stripped out extensively, including the removal of existing partition walls and floors. Reflective black stretched fabric has been attached to the ceilings, which are heavily accented with decorative features, consisting of coved elements and flat gold coloured squares, lit using much concealed and back LED lighting. Its seating is upholstered in black leather. Retrieved 27 August Maeve Contractors. Parts of the Frank Verity designed exterior remain visible on the West side. It has been refurbished several times, notably in with Sidney Kaye, Eric Firmin and Partners as the architects, [38] and revamped in the s with the addition of a new stadium seating structure. Archived from the original on 11 August The Empire Leicester Square. A laser projector was also installed in Empire 1, for a short sound-and-light show; the projection was onto the tabs and walls, and the concealed lighting was sequenced. Dolby Laboratories, Inc. These two screens were added in , the first to open with digital projection only in London's West End, built in areas formerly used as toilets and offices, respectively seating 96 and Barco DP projectors, Harkness screens, Crown amplifiers, JBL screen speakers and Martin Audio surround speakers, alongside reclining memory foam seating, were installed. Most of the theatre was demolished in , with the Empire rebuilt as a film theatre on an expanded site with the auditorium block now extending East to Leicester Place; the architect was Thomas W. CTs and s were placed in racks behind the screen to ensure loudspeaker cable runs were short, and the surrounds were individually powered by 6 CTs 8-channel amplifiers located in the booth. From to , the designer C. Of particular note, the original white marble vestibule wall finishes and the red coloured ceilings with domed features were not reinstated; however, the brass balustrading in the vestibule area was refitted. The theatre re-opened on 19 December , with Jumbo. It also has the widest cinema screen in the UK, Its walls and ceilings retain essentially the same form, but with the ceiling progressively raised, reusing the curved steelwork moved up to accommodate the IMAX screen height, and altered with the front splay walls moved in. Screen 6 was built as the smallest auditorium, with 26 seats; and Screen 9, above Screen 8, was built within former offices. Farnie and described as a Grand Musical Spectacular, in three acts and seven tableaux. The Empire Theatre opened on 17 April under the ownership of Daniel Nicols as a West End variety theatre on Leicester Square, as well as a ballet venue, with a capacity of about 2, seats. Retrieved 11 May {/INSERTKEYS}{/PARAGRAPH} Kate Vaughan starred in Around the World in 80 Days at the theatre in In , the theatre reopened as a popular music hall named the Empire Theatre of Varieties. Screens and formerly 5, 4, 6 and were reopened in Summer , following refurbishment, which included replacement seating, all except Screen 3 on a steeper rake. Formerly the Ritz, a cinema located in the basement of an adjacent building 1β€”4 Leicester Square that opened in , which was originally designed as a newsreel cinema, the architect being George Coles. The vestibule was subdivided with the cinema entrance on the left side, with a single staircase up to the grand foyer, its walls covered with white and black Italian marble, and a new grand foyer replaced the circle foyer, featuring a red coloured ceiling with several domes, lit with white concealed lighting. The corps de ballet for the performance was 50 strong. Greater London Council. It was acquired by MGM for moveovers of feature films, and later renamed Empire 2. For these, the American producer Nat Carlson, who had been responsible for shows at that venue, was hired, and its slogan, "The Showplace of the Nation," was adopted. Retrieved 20 January LSi Online. Retrieved 7 June Matthew Lloyd. Most of the projection and sound equipment, including twin Barco DP4KB projectors, JBL screen speakers, Crown amplifiers, and dbx loudspeaker management units, as detailed above, was transferred from the former Screen 1, except that all surround and overhead speakers were replaced. Retrieved 12 August Retrieved 13 May Imperialism and Music: Britain β€” Sheppard, ed. It involved the replacement of all ceilings and the permanent removal of almost all decorative features, many of which dated from numerous changes made since the reconstruction and also the refurbishment. The remaining area of the former Screen 1, combined with the former void area to the external wall on Leicester Place, is used for the Superscreen auditorium, which bears no resemblance in design to the former Screen 1. Almost all of the s ornate plasterwork was removed; two small sections remained, hidden behind false walls and ceilings [14] β€”one section now being behind the IMAX auditorium side wall. To help tame the auditorium's acoustics, RPG Reapor sintered glass tiles were applied over the existing tiles. Empire Cinemas. In , Cineworld completed a total refurbishment of the lobby areas, and the former Screen 2 was converted to a 4DX screen. In , following further substantial reconstruction and refurbishment, it re-opened as the Casino at the Empire, [18] which is now operated by Caesars Entertainment Group. A large acoustic wall was constructed, weighing 50 tonnes and hung from the s roof structure, for isolation between the two auditoria. It is one of several cinemas in and adjoining Leicester Square which are regularly used for film premieres and first runs. Over the next few years, the theatre began to offer a programme of live performances with short film shows. A separate entrance was retained until the mids, subsequent to which access has been via the main cinema foyer level, by entering into a stairwell leading down to the auditorium. An extension providing secondary access from Leicester Street via a new foyer was added in , with Frank Verity as the architect. Hersee and H. Its A new stadium seating structure was constructed, and at the rear of the auditorium, on a new 17m long steel girder supported by the existing roof structure, [36] sits a small balcony seating area, under which a small projection booth is situated. It preceded the start of each programme, proclaiming it to be "The Most Spectacular Cinema in the World," and advertised the THX certified sound system. Following the long run of Ben-Hur, in the Empire was sold to Mecca and closed for internal reconstruction to create a new cinema for MGM and a dance hall for Mecca. A new 1, seat auditorium was formed at circle level, on a suspended precast concrete floor over the former stalls underneath, with a circle section at the rear on a new stadium seating structure, and a flatter raked stalls section towards the screen end; [17] the auditorium had no stage facilities, and extended into the former stage house. {PARAGRAPH}{INSERTKEYS}The Empire was originally built in as a variety theatre and was rebuilt for films in the s. In , Screen 1 and the lobby areas were refurbished, with Esquisse Design as the architects. Opening on 29 November , a seat auditorium known as Empire 3 was constructed. From Wikipedia, the free encyclopedia. The refurbishment included the application of grey spray paint to the tiles in Screen 1, which had the unintended consequence of negatively impacting the auditorium's acoustics. In the Empire featured in Charlie Chaplin 's film Limelight , and its incarnation can also be seen in archived newsreel footage of special events. In , the Empire installed new 70mm projectors and a new screen in front of the proscenium to show Ben-Hur , which ran for 76 weeks. The walls and ceiling are covered with black stretched fabric over acoustic absorption, and the colour-changing concealed lighting has been reinstated using LEDs.